For the Twelfth and last Day of Christmas and for the Feast of Epiphany let us examine the “Queen of Chorales,” “O Morning Star, How Fair and Bright” (“Wie schön leuchtet der Morgenstern”). Composed by the Reverend Philip Nicolai (1556-1608), it is often sung as an Epiphany hymn although it can be sung on other occasions as well. For… Read More »
On the Tenth Day of Christmas, let us look at “While By My Sheep I Watched” (“Als ich bei meinen Schafen wacht’”), another beautiful early German carol of unknown origins. It is characterized by macaronic Refrain that features an echo and concludes with the Latin phrase “Benedicamus Domino!” (“Let us bless the Lord!”). It was published as early as 1615… Read More »
The tune for the Christmas and New Year hymn “O Rejoice, Ye Christians Loudly” comes from an infectiously joyous motet by Andreas Hammerschmidt (see video below). In his motet he places exclamations of “Alleluia!” before and after the stanzas of the poem by Christian Keimann (1607-62). Bach concluded Cantata 40 for The Second Sunday of Christmas with a stirring setting of Stanza… Read More »
The shepherds were “sore afraid,” which means they were completely and totally terrified fearing for their very lives. Here they were half-asleep watching sheep (some of which would eventually be slaughtered in Passover celebrations and temple sacrifices) and an angel of the Lord appeared to them with “news of great joy that will be for all people. For… Read More »
On July 28, 1750 the great man of faith and church musician Johann Sebastian Bach entered eternal glory. His music reveals to us that he was not afraid of death, but rather welcomed it because he knew it was the door to eternal life with his Savior, Jesus Christ. The Lutheran church pauses on July 28 to commemorate… Read More »
The Chandos Anthems by Georg Frideric Handel (1685-1759) are among the hidden gems of sacred music. Here is a setting of selected verses of Psalm 95. Psalm 95 is an exhortation to sing and praise God for all He is and all that He does. For this work Handel uses five verses from Psalm 95 and adds to… Read More »
“Beati quorum remissae” by American composer Zachary Wadsworth (b. 1983) is a setting of portions of Psalm 32, the second of the seven Penitential Psalms. This intense setting alternates the English text with the Latin. It begins with verse 3 which relates to us the consequences of remaining silent and keeping our sins to ourselves. While I held… Read More »
The importance of Psalm 51 in Christian music and faith cannot be underestimated. It is significant in that it provides for us an example of deep and heartfelt repentance which is at the heart of our faith. The story involves a king who after having an adulterous affair and getting a woman pregnant, gets wrapped up in an… Read More »
So, here is the story behind the delightful Christmas song called The Sussex Carol. Research now shows that it was first published in 1684 by Bishop Luke Waddinge in a collection entitled A Small Garland of Pious and Godly Songs, Composed by a devout Man, For the Solace of his Friends and neighbors in their afflictions (Ghent, Belgium, 1684).… Read More »
Arguably the most popular musical work of all time, Handel’s Messiah sets to beautiful and awe-inspiring music Old and New Testament passages that proclaim the salvation story. According to one scholar, the librettist Charles Jennens (1700-73) “intended Messiah as a statement of faith in Christ’s divinity, in reaction to the increasing popularity of rationalised atheism.” In July 1741,… Read More »