On this, the Twelfth Day of Christmas, I thought you might enjoy the carol “Welcome Yole!” It is one of the few that mentions the Twelve Days of Christmas and its Feast Days specifically. The text is relatively simple enjoining us to celebrate Christmas, its Feast Days, and the New Year together. The most well-known setting is the… Read More »
A new metrical translation of all six stanzas of “Silent Night” in their original order that can be sung to either the original melody or the melody commonly sung today. The translation better reflects the meaning of the original text, but also has the exact same meter in each stanza so that it can be sung easily to both melodies.
In 1994 Paul McCreesh and the Gabrieli Consort released an absolutely stunning recording of sacred music. In the previous years they had released three recordings: These recordings created quite a stir among musical circles with their magnificent music, exciting and immaculate performances, and their new approach to presenting early music: placing it within its original context rather than… Read More »
“Jesu, Joy of Man’s Desiring” is one of most popular musical works of all time. However, what are its origins? Interestingly, it has a connection to the Church Year and the Season of Advent. Let’s begin in the little village of Nazareth in the region of Galilee around the year 1 AD.
The scenes of the empty streets in our cities these days reminds me of the first verse of the Lamentations of Jeremiah written thousands of years ago: “How lonely sits the city that was full of people!” (Lamentations 1:1) These laments take on new meaning during this Coronavirus pandemic. Christians have also used these laments during Holy Week… Read More »
What does pestilence have to do with the hymn “Now Thank We All Our God”? Quite a bit, actually. Watching the news of the dangers, growth, and spread of the Coronavirus gives new meaning to the petition in the special Litany prayer in our hymnal asking God to protect us from “pestilence and famine.” Pestilence was nothing new… Read More »
For the Twelfth and last Day of Christmas and for the Feast of Epiphany let us examine the “Queen of Chorales,” “O Morning Star, How Fair and Bright” (“Wie schön leuchtet der Morgenstern”). Composed by the Reverend Philip Nicolai (1556-1608), it is often sung as an Epiphany hymn although it can be sung on other occasions as well. For… Read More »
On the Tenth Day of Christmas, let us look at “While By My Sheep I Watched” (“Als ich bei meinen Schafen wacht’”), another beautiful early German carol of unknown origins. It is characterized by macaronic Refrain that features an echo and concludes with the Latin phrase “Benedicamus Domino!” (“Let us bless the Lord!”). It was published as early as 1615… Read More »
The tune for the Christmas and New Year hymn “O Rejoice, Ye Christians Loudly” comes from an infectiously joyous motet by Andreas Hammerschmidt (see video below). In his motet he places exclamations of “Alleluia!” before and after the stanzas of the poem by Christian Keimann (1607-62). Bach concluded Cantata 40 for The Second Sunday of Christmas with a stirring setting of Stanza… Read More »
The shepherds were “sore afraid,” which means they were completely and totally terrified fearing for their very lives. Here they were half-asleep watching sheep (some of which would eventually be slaughtered in Passover celebrations and temple sacrifices) and an angel of the Lord appeared to them with “news of great joy that will be for all people. For… Read More »