Thoughts on “O Rejoice, Ye Christians Loudly”

The tune for the Christmas and New Year hymn “O Rejoice, Ye Christians Loudly” comes from an infectiously joyous motet by Andreas Hammerschmidt (see video below). In his motet he places exclamations of “Alleluia!” before and after the stanzas of the poem by Christian Keimann (1607-62). Bach concluded Cantata 40 for The Second Sunday of Christmas with a stirring setting of Stanza… Read More »

Thoughts on “Of the Father’s Love Begotten”

The thoughts below were prepared for the “Devotions on the Hymn of the Day” project of the Center for Church Music at Concordia University, Chicago. For a downloadable PDF version of this devotion, click here. For additional devotions, click here. Although many of our most popular Christmas carols are only a few hundred years old, the Christmas carol… Read More »

Celebrate Christmas with the Peoria Bach Festival

Celebrate Christmas this year by watching the Peoria Bach Festival 2012 performance of Bach’s Christmas Oratorio. You can find it on the Peoria Bach Festival YouTube page by clicking here or following the video links below. Although the performance is in German, English subtitles are provided making the story easy to understand and follow. The translation is a literal… Read More »

The Angelic Choir

The shepherds were “sore afraid,” which means they were completely and totally terrified fearing for their very lives. Here they were half-asleep watching sheep (some of which would eventually be slaughtered in Passover celebrations and temple sacrifices) and an angel of the Lord appeared to them with “news of great joy that will be for all people. For… Read More »

A New Hymn Text – “The Emmaus Road”

There is a great fear of death here in Papua New Guinea as there was for many hundreds of years of Christianity, even after Jesus rose from the dead. Even today, some Christians fear death. One of the great gifts of the Reformation and the Lutheran theology that followed is the emphasis their songs placed on the victory that Christians have over death and that it is therefore nothing to… Read More »

“Now No Condemnation”

On July 28, 1750 the great man of faith and church musician Johann Sebastian Bach entered eternal glory. His music reveals to us that he was not afraid of death, but rather welcomed it because he knew it was the door to eternal life with his Savior, Jesus Christ. The Lutheran church pauses on July 28 to commemorate… Read More »

The Passion According to St. Matthew

Observe Good Friday this year by watching the Peoria Bach Festival 2010 performance of the St. Matthew Passion. You can find it on the Peoria Bach Festival YouTube page by clicking here or following the links below. Although the performance is in German, English subtitles are provided making the story easy to understand and follow. The translation is a… Read More »

O Come, Let Us Sing Unto the Lord (Psalm 95) – Handel

The Chandos Anthems by Georg Frideric Handel (1685-1759) are among the hidden gems of sacred music. Here is a setting of selected verses of Psalm 95. Psalm 95 is an exhortation to sing and praise God for all He is and all that He does. For this work Handel uses five verses from Psalm 95 and adds to… Read More »

I Will Lift up Mine Eyes (Psalm 121) – Walford Davies

Having grown up in the mountains of Papua New Guinea, Psalm 121 has always been a favorite: “I will lift up mine eyes unto the hills.” We were literally surrounded by mountains. In the distance on either end of the valley the mountains cascaded over each other in infinite shades of blue and green. As we looked southeast towards… Read More »

Beati quorum remissae (Psalm 32) – Wadsworth

“Beati quorum remissae” by American composer Zachary Wadsworth (b. 1983) is a setting of portions of Psalm 32, the second of the seven Penitential Psalms. This intense setting alternates the English text with the Latin. It begins with verse 3 which relates to us the consequences of remaining silent and keeping our sins to ourselves. While I held… Read More »