Thoughts on “O Holy Night”

Of all Christmas carols, “O Holy Night” has one of the most fascinating stories. It is a rather unlikely carol in that the poem was written by an avowed atheist (albeit one well-versed in Christian theology) and the tune composed by a practicing Jew who did not observe Christmas. It was first sung by a Parisian opera singer, but soon… Read More »

Thoughts on “Maria Walks Amid the Thorn”

For the Eighth Day of Christmas, let us look at the wonderful but relatively unknown German Christmas carol “Maria Walks Amid the Thorn” (“Maria durch ein’n Dornwald ging”). It is one that I sang as part of several Christmas programs when I was a child, but have rarely heard since. The carol was published as an Advent song in Maria von Trapp’s… Read More »

A New Metrical Translation of the Original “Silent Night”

Previously I published a new literal English translation of the Christmas carol “Silent Night” (see www.jubalslyre.com/thoughts-on-silent-night). The interest was overwhelming and several people requested a metrical translation of the original text. Here is a metrical translation that I have crafted and recrafted over many years. The intent has been to keep as much of the deep and rich theology of the… Read More »

More Paradoxes of “This Little Babe”

There is another great Robert Southwell poem in Benjamin Britten’s A Ceremony of Carols (for the first, see the post The Paradoxes of “This Little Babe”). Although this movement is entitled “In Freezing Winter Night,” the poem’s original title was “New Prince, New Pomp.” Interestingly, Southwell’s original title parallels the title of the poem from which “This Little Babe” is taken: “New Heaven, New… Read More »

Thoughts on “Silent Night”

Did you know that the beloved Christmas carol “Silent Night” originally had six stanzas and not three? We know this from an autograph manuscript submitted by the composer Franz Gruber (1787-1863) when an official investigation was held in 1854 on the origins of the carol. Other autographs have been discovered over the years, the most recent being by… Read More »

O Come, All Ye Faithful (SATB) – English or Latin

This setting of “O Come, All Ye Faithful” is an attempt to musically portray a great victory parade  to see the Christ Child (see the post Thoughts on “O Come, All Ye Faithful”). The choral arrangement begins with a soloist inviting the faithful to join in a great, joyful, and triumphal procession to Bethlehem. The full choir joins by… Read More »

The King Shall Come (Hymn Intonation)

This piece is a short Hymn Intonation for pipe organ on the tune CONSOLATION written for the Advent hymn “The King Shall Come.” It features a pedal ostinato and a quasi-canon at the unison. To obtain a copy, click on the picture below. Jubal’s Lyre Music Shop for music by Jubal’s Lyre Music Publishers on www.sheetmusicplus.com.

New Singers in the Church Triumphant

In these past few weeks we have celebrated the lives of quite a few members at Trinity, including this past weekend the all too short earthly life of Avonlea Warner. Hymns and songs take a whole new meaning in the context of a funeral. I was especially touched by the ones we sang last Saturday: “Father Welcomes All His… Read More »

Youth Music Sunday at Trinity

One of the best ways to pass our faith along is to involve children in the ministry of the church, and one of the best ways to do that is to involve children in the proclamation of the Music Ministry as much as possible. This Sunday morning at Trinity could be called Youth Music Sunday because close to… Read More »

“How Beautiful the Feet”

On Thursday evening our choir rehearsed the great Martin Franzmann hymn “O God, O Lord of Heaven and Earth” for Reformation Sunday. Among the many powerful phrases and metaphors are these lines drawn almost directly from Scripture: How beautiful the feet that trod the road that leads us back to God! How beautiful the feet that ran to bring… Read More »