Tag Archives: Christmas

Thoughts on “O Rejoice, Ye Christians Loudly”

The tune for the Christmas and New Year hymn “O Rejoice, Ye Christians Loudly” comes from an infectiously joyous motet by Andreas Hammerschmidt (see video below). In his motet he places exclamations of “Alleluia!” before and after the stanzas of the poem by Christian Keimann (1607-62). Bach concluded Cantata 40 for The Second Sunday of Christmas with a stirring setting of Stanza 4 of this chorale (see link at bottom of page). To see the… Read More »

Thoughts on “The Sussex Carol”

So, here is the story behind the delightful Christmas song called The Sussex Carol. Research now shows that it was first published in 1684 by Bishop Luke Waddinge in a collection entitled A Small Garland of Pious and Godly Songs, Composed by a devout Man, For the Solace of his Friends and neighbors in their afflictions (Ghent, Belgium, 1684). This was his first year serving as the Bishop of Ferns, a… Read More »

Thoughts on “O Holy Night”

Of all Christmas carols, “O Holy Night” has one of the most fascinating stories. It is a rather unlikely carol in that the poem was written by an avowed atheist (albeit one well-versed in Christian theology) and the tune composed by a practicing Jew who did not observe Christmas. It was first sung by a Parisian opera singer, but soon after church officials banned the song when it was discovered that the… Read More »

Thoughts on “O Come, All Ye Faithful”

While the text of the Latin Christmas carol “Of the Father’s Love Begotten” is almost 2,000 years old having been penned only a few hundred years after the birth of Christ , “O Come, All Ye Faithful” is rather young in the history of sacred music being not even 275 years old. The text was written by John Francis Wade (c. 1711-86) during a time when Latin was the language… Read More »

Thoughts on “Of the Father’s Love Begotten”

The thoughts below were prepared for the “Devotions on the Hymn of the Day” project of the Center for Church Music at Concordia University, Chicago. For additional devotions, click here. For a downloadable PDF version of this devotion, click here. Although many of our most popular Christmas carols are only a few hundred years old, the Christmas carol “Of the Father’s Love Begotten” takes us back a few thousand years, almost… Read More »

Celebrate Christmas with the Peoria Bach Festival

Celebrate Christmas this year by watching the Peoria Bach Festival 2012 performance of Bach’s Christmas Oratorio. You can find it on the Peoria Bach Festival YouTube page by clicking here or following the video links below. Although the performance is in German, English subtitles are provided making the story easy to understand and follow. The translation is a literal one so that the original meaning of the German is as accurate… Read More »

The Angelic Choir

The shepherds were “sore afraid,” which means they were completely and totally terrified fearing for their very lives. Here they were half-asleep watching sheep (some of which would eventually be slaughtered in Passover celebrations and temple sacrifices) and an angel of the Lord appeared to them with “news of great joy that will be for all people. For unto you is born this day in the city of David a… Read More »

Thoughts on “Silent Night”

Did you know that the beloved Christmas carol “Silent Night” originally had six stanzas and not three? We know this from an autograph manuscript submitted by the composer Franz Gruber (1787-1863) when an official investigation was held in 1854 on the origins of the carol. Other autographs have been discovered over the years, the most recent being by the author of the text, Father Joseph Mohr (1792-1848). When comparing the English translation… Read More »

Handel’s Messiah – Biblical, Christological, and Eschatological

Arguably the most popular musical work of all time, Handel’s Messiah sets to beautiful and awe-inspiring music Old and New Testament passages that proclaim the salvation story. According to one scholar,  the librettist Charles Jennens (1700-73) “intended Messiah as a statement of faith in Christ’s divinity, in reaction to the increasing popularity of rationalised atheism.” In July 1741, Jennens wrote to his friend Edward Holdsworth: Handel says he will do… Read More »

Thoughts on “O Come, O Come, Emmanuel”

The text of the popular Advent hymn “O Come, O Come, Emmanuel” is a lyrical paraphrase of the O Antiphons, an ancient set of seven antiphons for the Magnificat (Song of Mary) sung by Christians at the Vespers services held on the last seven days before Christmas (December 17-23). Each of the O Antiphons expounds upon a name that the prophet Isaiah had given to the Messiah: 1. December 17: O Sapientia (O… Read More »