The Song of Habakkuk is a song for our time. On this, the Last Sunday of the Church Year, our thoughts are drawn to the end times and the prophecies regarding the Second Coming of Christ. Considering the events of the past weeks with terrorist attacks in Africa and France, threats of attacks in other parts of Europe… Read More »
Join the Peoria Bach Festival from May 31-June 7, 2015 for another week of celebrating the music, art, and faith of Johann Sebastian Bach (1685-1750). Altogether there will be eight concerts, several free lectures, two festival worship services, and an event for children. The primary work for the Peoria Bach Festival 2015 will be Cantata 147 “Herz und… Read More »
Observe Good Friday this year by watching the Peoria Bach Festival 2010 performance of the St. Matthew Passion. You can find it on the Peoria Bach Festival YouTube page by clicking here or following the link below. Although the performance is in German, English subtitles are provided making the story easy to understand and follow. The translation is a… Read More »
Many of you may be familiar with the great choral work “This Little Babe” from Benjamin Britten’s Ceremony of Carols. The driving rhythm, the compelling tune with its unique canonic treatment, and the dramatic shift at the very end from a minor key to its parallel major all make for a memorable and powerful setting of the text. The text explores the paradoxes… Read More »
Previously I published a new literal English translation of the Christmas carol “Silent Night” (see www.jubalslyre.com/thoughts-on-silent-night). The interest was overwhelming and several people requested a metrical translation of the original text. Here is a metrical translation that I have crafted and recrafted over many years. The intent has been to keep as much of the deep and rich theology of the… Read More »
There is another great Robert Southwell poem in Benjamin Britten’s A Ceremony of Carols (for the first, see the post The Paradoxes of “This Little Babe”). Although this movement is entitled “In Freezing Winter Night,” the poem’s original title was “New Prince, New Pomp.” Interestingly, Southwell’s original title parallels the title of the poem from which “This Little Babe” is taken: “New Heaven, New… Read More »
Did you know that the beloved Christmas carol “Silent Night” originally had six stanzas and not three? We know this from an autograph manuscript submitted by the composer Franz Gruber (1787-1863) when an official investigation was held in 1854 on the origins of the carol. Other autographs have been discovered over the years, the most recent being by… Read More »
This setting of “O Come, All Ye Faithful” is an attempt to musically portray a great victory parade to see the Christ Child (see the post Thoughts on “O Come, All Ye Faithful”). The choral arrangement begins with a soloist inviting the faithful to join in a great, joyful, and triumphal procession to Bethlehem. The full choir joins by… Read More »
The Sussex Carol was one of the many English folk songs collected for posterity by Ralph Vaughn Williams (1872-1958). This arrangement is a relatively easy, but boisterous arrangement for SATB choir with piano or harp and optional handbells. It is published by Walton Music (WW 1243) and available from GIA or your favorite music retailer. For a complimentary… Read More »
A few Sundays ago, I had the privilege of singing three settings of the Te Deum – that great text of proclamation, praise, and thanksgiving – with the Bradley Community Chorale accompanied by the Bradley Orchestra. What a great experience and great opportunity to enter deeply into that great text of Christendom and into the minds of three… Read More »