I was fiddling around with playback feature in Finale and the Garritan ARIA Player and discovered that my motet on “O Come, O Come Emmanuel” sounds really good with just strings alone, so here it is as a Fantasia on VENI EMMANUEL for Strings. This arrangement would work with either a string orchestra or a string quartet. If… Read More »
This setting of “Of the Father’s Love Begotten” is the second motet in a set entitled Three Latin Christmas Motets and is dedicated to the American Kantorei of St. Louis, Missouri. It musically intertwines two manifestations of the God incarnate: that which occurred with the birth of Christ and that which happens when believers observe the Sacrament of… Read More »
This setting of “O Come, O Come Emmanuel” sets all seven verses of the hymn modulating into four keys while passing the melody from voice to voice before finally concluding with several sudden and surprising key changes that lead to what I call a “Picardy third on steroids” (i.e. a major chord built on the altered note of… Read More »