Having grown up in the mountains of Papua New Guinea, Psalm 121 has always been a favorite: “I will lift up mine eyes unto the hills.” We were literally surrounded by mountains. In the distance on either end of the valley the mountains cascaded over each other in infinite shades of blue and green. As we looked southeast towards… Read More »
“Beati quorum remissae” by American composer Zachary Wadsworth (b. 1983) is a setting of portions of Psalm 32, the second of the seven Penitential Psalms. This intense setting alternates the English text with the Latin. It begins with verse 3 which relates to us the consequences of remaining silent and keeping our sins to ourselves. While I held… Read More »
The importance of Psalm 51 in Christian music and faith cannot be underestimated. It is significant in that it provides for us an example of deep and heartfelt repentance which is at the heart of our faith. The story involves a king who after having an adulterous affair and getting a woman pregnant, gets wrapped up in an… Read More »
This setting of “O Come, All Ye Faithful” is an attempt to musically portray a great victory parade to see the Christ Child (see the post Thoughts on “O Come, All Ye Faithful”). The choral arrangement begins with a soloist inviting the faithful to join in a great, joyful, and triumphal procession to Bethlehem. The full choir joins by… Read More »
Just completed a new piece for Easter: Fanfare on “Christ is Arisen” for mixed choir, brass quartet, timpani, and organ. Hope you find it useful. It begins with a theme that my Associate Pastor said reminded him of Aslan, you know the great and powerful lion from the C. S. Lewis book The Lion, the Witch, and the Wardrobe… Read More »
This setting of “Of the Father’s Love Begotten” is the second motet in a set entitled Three Latin Christmas Motets and is dedicated to the American Kantorei of St. Louis, Missouri. It musically intertwines two manifestations of the God incarnate: that which occurred with the birth of Christ and that which happens when believers observe the Sacrament of… Read More »
This setting of “O Come, O Come Emmanuel” sets all seven verses of the hymn modulating into four keys while passing the melody from voice to voice before finally concluding with several sudden and surprising key changes that lead to what I call a “Picardy third on steroids” (i.e. a major chord built on the altered note of… Read More »